Am I missing out?

Oldiemurphy

Senior Stratmaster
Jan 23, 2022
1,566
Austin, TX
One very cost effective alternative is the Fender Classic Series. MIM but nice guitars. I have a 2004 Classic Series 60s with rosewood fretboard, Oly white body, 6-point bridge, and 7.25" radius. It's not a real vintage guitar by any means but it plays better than the '75 Fender Strat that I bought in 1977.
 

Tone Brothers

Strat-Talker
Vendor Member
Oct 7, 2021
128
Canada
You're not missing a thing. "Vintage" Strats are solely for collectors. The modern guitars are far better.
Why are you stating that as a fact? A good chunk of members of this sub-forum would probably disagree and say that there's a reason why the modern guitars try so desperately hard to emulate the real deal vintage... but yes, let's open this can of worms right up.
 

Wound_Up

You can call me Duane 😁
Jan 23, 2020
6,475
NW LA
Why are you stating that as a fact? A good chunk of members of this sub-forum would probably disagree and say that there's a reason why the modern guitars try so desperately hard to emulate the real deal vintage... but yes, let's open this can of worms right up.

They try so hard because that's what customers demand.
 

3bolt79

Dr. Stratster
Oct 16, 2018
16,994
Oregon
Why are you stating that as a fact? A good chunk of members of this sub-forum would probably disagree and say that there's a reason why the modern guitars try so desperately hard to emulate the real deal vintage... but yes, let's open this can of worms right up.
I guess means that my guitars from the 70’s aren’t really considered “vintage” enough. I can sell them at considerably higher prices than what I paid. So there must be some collectibility for them, but I bought them to play.

Almost all of my guitars that I’ve sold in the past year, have been replaced with guitars from the past. Most of them were around the $300.00 mark. I’ve bought a couple of them around $500.00 to 600.00.

Some of them, well most of them had some light repairs to be done, and I bought one that was non functioning (really cheap, less than 3c’s.). That one was a fun project.
880619E0-D92C-46AC-A912-64AE72D4E2A3.jpeg
 

Maranello94

Strat-O-Master
Aug 30, 2022
763
Finland
Its all in your head.. that Tokai was what buried Fender. Most of what's spoken about so called vintage guitars in general is just romantic garbage.

If you want blow a wad on a pre CBS be my guest, but if you're a player, as opposed to a collector.. the Tokai you have (even for an old guitar) is one of the best Strats ever made.. and you won't appreciate it until its gone. As I said above.. blah.. blah.. :thumb:
would love to get a vintage Tokai some day😁
 

Will Lefeurve

Most Honored Senior Member
Mar 1, 2016
6,615
Angleterre et France
Tokai's are indeed great - excellent imitations of Fender and Gibson styles - but it's quite an overstatement to say that Fender has been buried. They've done quite well in recent years.
I saw Eric Johnson playing an old Strat a couple of weeks ago - it seemed to me that he played beautifully and was more than just a collector. His love of the old Strat may indeed include some romanticism - but romanticism is not a bad thing for an artist. This week I saw Bill Frizzell play an old Tele - his skill and choice of that old instrument also likely included a degree of romanticism.
Sorry Nokie.. but I think you've taken my post a little out of context, and gone off on a tangent. I used the word 'was' in the burying of Fender. I quite obviously wasn't talking about the present day. Fender make excellent guitars, and I've owned them. No, I was referring to a period of time when CBS had virtually 'buried' the company single-handedly. Maybe I should have said it was CBS that buried Fender.. and it was Tokai that resurrected them.. haha..

There's no getting away from the fact though that it was the superb build quality of the Tokai instruments that made Fender sit up and take notice. It was Tokai that inspired Fender to build reissues. It was a Tokai guitar that Fender actually used in the initial advertising for the reissues because Fender didn't have a guitar available.. just think about that for a moment! Tokai went on to build Fender guitars in Japan and made a damned fine job of them.

If Eric Johnson and Bill Frizzell want to play old Fenders, that's really fine by me, and indeed there is a degree of romance wrapped up in old instruments in general, just like old furniture or houses. Its something of a 'vogue' to do so today, and also why the 'relic' craze developed. But to think someone's 'missing out' because they haven't got an old Fender.. well.. that's as I stated.. nothing more than a head game. Nothing more than a name on the headstock.. and a little help via talking shops (forums) on the internet.. hint-hint.. haha.

Put a Fender decal on an old Tokai (and that's what Fender actually did) and the average Joe wouldn't know the difference when he had the guitar in his hands. I know that better than anybody, because I've only just sold and old Tokai that I bought new in 1981.. see the post below for a photo. If I'd put a Fender decal on that guitar and sold it to some unsuspecting punter they'd have thought they'd just bought an old Fender. Its all about the name on the headstock that people want to be associated with, the history. No matter how much people wriggle, that's what its about. They want to buy into the niche..

Clever marketing over many years, people 'romancing' over an earlier time, when everything in the garden was supposedly rosy, Fender's golden years before CBS when Leo strode the corridors of FMIC. That's what its all about, and even more so today, its a marketing tool. Put in its crudest terms its propaganda, and who ever wants to admit to being brainwashed eh.. nobody!

Sadly, its part of the material human condition that people want something that they don't have, and the modern propagandists (marketeers) have all used that to sell merchandise since the days of Edward Bernays. Someone whose methods and history I was introduced to many years ago by a friend who'd spent time in the 'security services'. I say sadly at the beginning of the sentence because it leads to people being discontent, unhappy.

I'll leave it there but for those that maybe want an interesting short read, I'd say click on the link below and learn a little about Bernays and his 'manipulation of the masses'. Its as true today as it was back then, and certainly in constant use in all its forms.

 
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Will Lefeurve

Most Honored Senior Member
Mar 1, 2016
6,615
Angleterre et France
Anything you can comfortably afford that makes you feel better and doesn't make others feel worse is okay in my books.

Play on 😎
Well I don't think anyone could disagree with that Bazz, I'd certainly second it.. absolutely, you're right.

But that differs slightly from a person feeling they're 'missing out' doesn't it. That's a whole different ballgame. If I could just get ( fill in space) I'd be whole, I could be in the gang. That's what I was 'trying' to put across in my overlong diatribe above.. and with that.. I'll disappear up my own **** and be gone.. 🤪
 

Will Lefeurve

Most Honored Senior Member
Mar 1, 2016
6,615
Angleterre et France
£515!!!! You didn't even PM me @Will Lefeurve. I'm now going to spend my afternoon in a darkened room in tears! 🤣
Sorry Stu.. I did think of putting stuff on the forum, then for whatever reason decided not to. I sold nine guitars in all, including three strats.. the Tokai, and two USA . I sold them all dirt cheap I know, but I'd made my mind up and wanted them gone before I changed it.. my mind that is.. haha.. 🤪
 

Nokie

Strat-O-Master
Jul 31, 2018
770
91325
Sorry Nokie.. but I think you've taken my post a little out of context, and gone off on a tangent. I used the word 'was' in the burying of Fender. I quite obviously wasn't talking about the present day. Fender make excellent guitars, and I've owned them. No, I was referring to a period of time when CBS had virtually 'buried' the company single-handedly. Maybe I should have said it was CBS that buried Fender.. and it was Tokai that resurrected them.. haha..

There's no getting away from the fact though that it was the superb build quality of the Tokai instruments that made Fender sit up and take notice. It was Tokai that inspired Fender to build reissues. It was a Tokai guitar that Fender actually used in the initial advertising for the reissues because Fender didn't have a guitar available.. just think about that for a moment! Tokai went on to build Fender guitars in Japan and made a damned fine job of them.

If Eric Johnson and Bill Frizzell want to play old Fenders, that's really fine by me, and indeed there is a degree of romance wrapped up in old instruments in general, just like old furniture or houses. Its something of a 'vogue' to do so today, and also why the 'relic' craze developed. But to think someone's 'missing out' because they haven't got an old Fender.. well.. that's as I stated.. nothing more than a head game. Nothing more than a name on the headstock.. and a little help via talking shops (forums) on the internet.. hint-hint.. haha.

Put a Fender decal on an old Tokai (and that's what Fender actually did) and the average Joe wouldn't know the difference when he had the guitar in his hands. I know that better than anybody, because I've only just sold and old Tokai that I bought new in 1981.. see the post below for a photo. If I'd put a Fender decal on that guitar and sold it to some unsuspecting punter they'd have thought they'd just bought an old Fender. Its all about the name on the headstock that people want to be associated with, the history. No matter how much people wriggle, that's what its about. They want to buy into the niche..

Clever marketing over many years, people 'romancing' over an earlier time, when everything in the garden was supposedly rosy, Fender's golden years before CBS when Leo strode the corridors of FMIC. That's what its all about, and even more so today, its a marketing tool. Put in its crudest terms its propaganda, and who ever wants to admit to being brainwashed eh.. nobody!

Sadly, its part of the material human condition that people want something that they don't have, and the modern propagandists (marketeers) have all used that to sell merchandise since the days of Edward Bernays. Someone whose methods and history I was introduced to many years ago by a friend who'd spent time in the 'security services'. I say sadly at the beginning of the sentence because it leads to people being discontent, unhappy.

I'll leave it there but for those that maybe want an interesting short read, I'd say click on the link below and learn a little about Bernays and his 'manipulation of the masses'. Its as true today as it was back then, and certainly in constant use in all its forms.

"Was" what buried Fender can imply that Fender is still buried. In fact, once you're buried, that's purdy much the end of the line, i.e. "was" in this context doesn't make it obvious you were talking about the past, but do I appreciate your clarification. I was playing guitar since the 60's but hadn't heard of Tokai until the late 80's. I loved my bullet headstock '79 Strat, it was a relatively light weight one, as late 70's Strats go, at just under 8 lbs, but I did change the neck to 4-bolt. I still have that great guitar.

Yes, supply and demand is in our psych and a powerful selling tool but I'm not as down on the phenomenon. I see it as a motivating factor in the human condition. It is what it is and can be used for good and bad.

If Fender had to use a picture of a Tokai in it's advertising, that's a fun adage. It doesn't send to me any message that ya have to have a Tokai, but they are indeed excellent guitars as I have noted.

Admittedly, being a Southern California native, I am a Fender-file. I'm more drawn to the real thing. It's part of my heritage. Yep, that's all psychy stuff and many folks say I'm missing out on the superior Anderson, Tokai, PRS, Nash or some boutique versions of a Strat. I've played them all and I still like the Fenders best. If the originator can still make a guitar that I find to be so wonderful, and/ or if I have the means to obtain a vintage gem, I'm all for giving the originator (and their rightfully chosen successors) their due.

All this said, I'm happy to see your intense passion for the Tokai. Me being a Fender geek, you being a Tokai geek, I like all such forms of geekery.
 

Will Lefeurve

Most Honored Senior Member
Mar 1, 2016
6,615
Angleterre et France
All this said, I'm happy to see your intense passion for the Tokai. Me being a Fender geek, you being a Tokai geek, I like all such forms of geekery.
Yes Nokie.. I'm a Tokai fan, but I love all guitars really. I've had plenty of American Fenders over the years, along with a dogs breakfast of every other make. Treasured them all when I had them.

In fact I've just sold nine guitars, my last Tokai (photo up above) that I bought new in 1981, and two US Strats amongst them. I'd made up my mind on a clear out.. so they had to go. So no real loyalty to a brand.. that's why us Brit's are known as 'a nation of shopkeepers' I think.. We're poorer than you lot over there, and guitars cost so much more in YUK and Europe, so we're always after a bargain..

I have just three guitars now.. cheapies.. and I'm absolutely delighted with them. A Classic Vibe Duo-Sonic, a Crafter SAT Hybrid (an incredible guitar) and Tanglewood Electro Acoustic. That's my lot, and I don't intend buying any more. I'm 71 now, been playing 55 years so I've been well satiated in guitars over that time, and quite content with what I've got now. Unless something amazing comes up at a knockdown price I can't see that changing.

Best Fender I ever had was a 2007 AVRI 57 Strat in Surf Green. I loved everything about that guitar, played it to death, but unfortunately I owned it during a period of very little income.. I was skint.. so she had to go.. Such is life eh! :thumb:
 

Stu78

Senior Stratmaster
Apr 20, 2019
3,004
Scotland (North of The Wall)
Sorry Stu.. I did think of putting stuff on the forum, then for whatever reason decided not to. I sold nine guitars in all, including three strats.. the Tokai, and two USA . I sold them all dirt cheap I know, but I'd made my mind up and wanted them gone before I changed it.. my mind that is.. haha.. 🤪
That's some downsizing! 🙂👍
 

Toppalini

Strat-O-Master
Dec 16, 2022
695
Portland OR
I still haven’t played a vintage strat but I’ve heard they’re killer.

I made a partscaster that’s vintage style even with Brazilian rosewood. So that I’m not making any concessions and it’s vintage accurate. But it’s still more like a CS reissue

I’m pretty sure your tokai is 90% there especially the neck and aesthetics
 

slabboardsam

Strat-Talker
Sep 14, 2022
103
West Lafayette, IN
A modern guitar can be just as good sounding and playing as a vintage one. But if you like the intangibles of owning a vintage instrument, a piece of Fender/Americana history, than really only a vintage guitar can fulfill that. For me it's about finding both in the same instrument - great playing and sounding instrument that also embodies the birth of the electric guitar/bass in a well loved and cherished object. One of my least favorite phrases I hear on guitar forums is "A guitar is just a tool". This is total BS. Even the people who say this often betray the statement in the way the talk about them. A guitar is not a tool. A hammer is a tool. A guitar is a talisman. It is a venerated cultural object that carries with it all kinds of emotional and historical significance. We worship guitars, put them in museums, name them, imitate them, give them personalities. This is more important to some people than others. If it's important to you than perhaps you aspire to own one that holds these characteristics. That might be a PreCBS Fender or it might be a Tokai. You have to ask yourself what is important and what that is worth to you.
I run into the "a ___ is a tool" mentality in my other hobbies, and all that betrays is that the people that make this argument usually treat whatever the topic is the same way as they treat their tools: badly.
 
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